Article, DBPR

Creative Vision, Grief, and Memory in L.M. Montgomery’s The Blythes Are Quoted and Virginia Woolf’s To the Lighthouse

  • Catherine Clark

Silhouette of a cat walking down a path lined with trees
Article, Peer-reviewed article, DBPR

A Cat of One’s Own: The Woman Writer and the Feline Companion in Emily of New Moon

  • Daniela Janes

Article, EPR

The Old Home Calls: Maud’s Places through the Seasons

  • Caroline Stellings

Peer-reviewed article, DBPR

Caught Forever in a Picture Frame: The Impact of the Gaze in Kilmeny of the Orchard

  • Heidi A. Lawrence

Creative writing, EPR

Eyes for Avonlea: How Maud Teaches Me to See the Natural World

  • Jessica Brown

Peer-reviewed article, DBPR

Double Vision in The Blythes Are Quoted: Reading Marked External References

  • Susan Erdmann

Photograph of a table against a wall with vines on it
Peer-reviewed article, DBPR

Past, Present, and Visual Technology in The Story Girl and The Golden Road

  • E. Holly Pike

A dark owl in front of a yellow moon
Peer-reviewed article, DBPR

Befriending the Darkness: L.M. Montgomery’s Lived Theodicy in Anne’s House of Dreams

  • Brenton Dickieson

Peer-reviewed article, DBPR

Wordsworth’s Light and Shelley’s Shadow: Revelation in L.M. Montgomery’s Anne and Emily Series

  • Alicia Pollard